Showing posts with label Anne Freitas. Show all posts
Showing posts with label Anne Freitas. Show all posts

Thursday, 5 June 2014

Pic(s) of the Week: Anne Freitas

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Looks to me like Shannon Peters (I've got surprisingly used to that surprisingly quickly) isn't the only woman who's going to be turning up in Nebraska this weekend to take our collective breath away. Looks to me like Anne Freitas has plans for us too!

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I'm not usually at a loss for words, but these pics from her Instagram that chart her progress towards the Omaha stage (and I've posted them in chronological order, most recent last) have left me groping for words and coming up with nothing that quite does them justice. I mean, LOOK AT HER MUSCLES! She's like one of Tigersan's fantasy creations. Except she's real. Not 100% real perhaps, but you know what I mean...

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All I can say is Oh-Maha-God!!!

Friday, 4 April 2014

Back Is Beautiful: Freaky Fantasy Favourites

For our final offering of Back Is Beautiful week, a selection of favourites, a little bit of fantasy, and (everybody's favourite) some proper female muscle freakiness.

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No, I'm not the biggest fan of "excessive" tattoos (although it is nice of her to wear a reminder of what I should be doing more of) but yes, I want to cup her lats in my hands and give them a good squeeze to see if they are as hard and sexy as they look.

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If I could have my "give a back massage to the Crossitter of your choice" wish right now, hot (and sweaty) Danielle Sidell would be the only name on the shortlist.

FREAKY!
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Anne Freitas' rightly famous "Christmas tree" erector spinae (that's spinal erector muscles to you and me). Also known as "those abs things in your lower back".

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Back is most definitely beautiful. The genetically-gifted Nancy Lewis (left) and Desiree Ellis display the results of their hard work (and more besides).

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Emily Ingram, an NPC Physique competitor from Georgia (and mother of four) needs a better camera and could probably break your fingers with her rhomboids.

FREAKY!
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Yep, I'm calling freaky on Georgina McConnell. Not because her back is freaky like Freitas-freaky (although if she keeps going as she has until now, that is going to be a very real possibility at some stage), but rather because of her incredible development for her age. The biggest and best 19-year-old back on the planet.

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FMS favourite Danielle Reardon (see Hot and Hard 100 #32) puts the muscle into the physique class with her back in this nicely-lit (I wonder if by accident or design?) shot taken in the countdown to her recent revelatory appearance in St. Louis.

FREAKY!
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When Ruthie Lucchesi (left) and Jacqueline "Jay" Fuchs spread their lats, they stay spread [eh? - ed.]. Jay's latissimus dorsi, in particular, seem to go on forever, and make her waist look absolutely tiny in comparison. Freaky and very very sexy.

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Athena Signakis' back seems to be pure muscle with a thin layer of skin over it. A living anatomical sculpture. And one I can quite easily picture myself attempting to massage, attempting because I press as hard as I can but can't make any impact on those slabs of granite (and meanwhile Athena lies there, feeling nothing and wondering whether I've started yet). And if you can pull your eyes away from that magnificent sight for a moment, check out Aleesha Young and what I can only describe as her "lat overhang". Mouth-watering female muscle meat right there.

FANTASY!
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Pure fantasy. Shredded contest-ready (and tanned up) backs just waiting for you to warm up your hands and apply that oil. And make sure you don't miss any of those little crevices between her bulging muscles. Get your fingers right in there. I'm feeling light-headed just thinking about it. The pleasure of actually doing it would no doubt leave me in need of some resuscitation. From the top: Karina Nascimento, marvellous Mindy O'Brien, and I don't know but feel I should. Please, if you do know whose succulent back this is, comment below, or email 6ft1swell@gmail.com.

SUPER FREAKY!
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Maria Rita Penteado and the only erector spinae I know of that make Anne Freitas want to "work harder on the lower back". Abs on the back. Incredible. I mean, how do you even flex them? Nothing happens when I do it. Try it for yourself!

OK, then. One more...

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Enjoy!

Saturday, 25 January 2014

Isn't It Iconic, Don't You Think?

One of you lovely readers, responding to the Women of the Year 2013 post from just before Christmas, commented that 'that first pic [of Alina Popa] could be iconic'.

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For some reason, these words stuck in my head. I looked at the pic again, closely. And, yes, I thought to myself, absolutely, it is, indeed 'iconic'. What bothered me though was why. What makes this image, more than the others of Alina in the post, more than all the other countless images of Alina (excepting a handful perhaps), 'iconic' exactly? What, precisely, is an 'iconic' image?

The first port of call was the dictionary, which defined 'iconic' as relating to or of the nature of an icon. OK... So let's look up 'icon' then: 1. An image; a representation. 2. An important and enduring symbol. 3. One who is the object of great attention and devotion; an idol. 4. Computer Science A picture on a screen that represents a specific file, directory, window, option, or program.

Alina is many things, but she's definitely not meaning number four. The other three though, all seemed to fit. But although I felt I now had a better handle on the meaning of the word 'iconic', I still wasn't really any clearer on what makes an 'iconic image'.

I dug a bit deeper.

What I found was that it is generally agreed that to be 'iconic', an image has come to have a symbolic meaning that is readily understood. The image causes people to think about what it represents, rather than what it is. So, when you see Che Guevara, it's violent revolution. Gandhi, and it's peaceful revolution. Einstein with his tongue sticking out is madness and genius in the same place. The Stars and Stripes is whatever the USA means to you. In religion, there's the cross, the crescent, the star of David...

I see...

But now I had a new doubt nagging away at me. Just for the sake of argument, let's say the image of Alina represents something like 'the beauty and strength of the muscular woman'. Well, then isn't it the case that any image of Alina does the same? Isn't it the case then that any image of any muscular woman represents the same thing?

The answer is obviously 'No'. So I'm back to square 1, not really any clearer on why this image strikes us as 'iconic' while others don't. I decided to take a different approach, starting with the image itself. I looked at Chris Zimmerman's image of Alina again (hard though looking at Alina so much was, I really had the bit between my teeth now...)

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What I came up with was: 1. It's an image of a woman who, by general consensus is something approaching the epitome of a female bodybuilder, and what's more, she's in absolutely prime condition; 2. The subject, though a female bodybuilder, is not hitting any conventional bodybuilding pose, nor is she wearing the conventional 'uniform' of a female bodybuilder - the posing suit; 3. Zimmerman's style is, it seems to me, (and I say this with no specialised knowledge of photography at all, so I may be completely wrong) all his own - nobody shoots these women quite like he does.

OK, now to test the theory!

1. Does the female bodybuilder in the image have to be at the top of the sport, and does she have to be in prime condition?

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When I thought about other iconic images of female bodybuilders, these two sprang to mind immediately. I imagine Bev Francis and her most muscular in her orange posing suit at her biggest and best seems to answer the question in the affirmative. This image of Kim Chizevsky will, I imagine, be a little more controversial, but to me, this is the image of Kim. I don't know why I associate this pose and the black posing suit with her more than any other of the FBB 'icons', but I do.

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Having dealt with one era of female bodybuilding, I moved on to Lenda Murray. Choosing one image of her as iconic was, I found, much more challenging because there were so many more candidates. Nevertheless, as I searched through my (not inconsiderable) Lenda archive, for me, this image stood out.

Who else? I thought. Iris, sure, but it's hardly the case that only Ms Olympias or should-have-been Ms Olympias can qualify as icons. I doubt I'll get too much stick if I say I think the two images below are iconic, and Cathey Palyo and Melinda McNabb never came anywhere near being crowned Ms Olympia.

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And so I broadened the search to two of my all-time favourites, and, as with Lenda, found myself struggling to find the defining iconic image of either of them!

With Denise Hoshor, I found I could narrow it down to one set of photos, but when trying to pick one from the set as the iconic image of Denise, it proved impossible. And furthermore, as with Lenda, I was aware that other fans might well put forward other sets or shots of Denise as more apt to represent her at her iconic best.

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With another of my all-time favourites, Gina Davis, I couldn't even narrow it down to a single set. There are so many top top photos of Gina (I looked at so many goodies while I was trying to choose I did begin to wonder if there was a bad photo of her out there) that the best I could do was make a short list that never got any shorter than the wonderful images below.

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So confused had I become that I'd forgotten what the immediate question had been!

Ah! Does the female bodybuilder have to be at her peak and at the top of her sport? From the selection above, I could only surmise the answer was 'yes... maybe'. Bev was a yes, as was Kim. Lenda, it seems to me, had a few peaks at least, and in my iconic image of her, 'The Naked Sleeping Lenda', she certainly wasn't in her contest prime. Neither Palyo nor McNabb were ever at the 'top' of female bodybuilding and in the image I selected Palyo wasn't in prime condition, McNabb absolutely was.

What about the second conclusion I'd drawn from Zimmerman's Alina pic, the point about her not being in a posing suit and not hitting a regulation pose? Again, you can see that, based on the above selections the answer was a rather unsatisfactory 'sometimes, but not always'.

ARRRRRRGH!

Perhaps the third point would prove more fruitful, the point about Zimmerman's style? I perused his Facebook offerings and other pictures of his in my collection. I had to agree with his assertion that he can 'light the shit out of muscular women'. His style is certainly unique among FBB photographers, and there are many many fantastic shots among his body of work.

Are there some female muscle photographers more iconic in their style than others?

Bill Dobbins sprang to mind immediately. Like the image of Bev Francis' most muscular above, one other image I am absolutely certain no one will argue is iconic is the one that adorns the cover of his finest achievement, The Women: Photographs of the Top Female Bodybuilders.

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Yes! I thought. Dobbins and Zimmerman, photographers with an 'iconic style', photographers who, through their work, create the iconography of female muscle...

Perhaps there is something there, but at the same time I was sure that it was Women's Physique World that had given us more iconic images than any other source, and neither Dobbins nor Zimmerman had anything to do with that. In fact, I realised that images I would call iconic had been made by a wide variety of photographers and in a wide variety of styles. Square 1 again!

Have you reached any conclusions at all?! I hear you cry.

Well, yes. Sort of. Just bear with me...

The fact that Bill Dobbins' image of Nikki Fuller was a cover made me wonder if that was something that could make an image more likely to become iconic.

Check out these ones of Diana Dennis and Juliette Bergaman...

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They're familiar, aren't they?

Well maybe, just maybe, that's because both of them were WPW covers...

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And the other thing that did occur to me was that so many of the images I thought of when I tried to conjure up 'iconic images' in my mind were images I had first seen in the magazines in my early female muscle lovin' years. Perhaps it is the case that an image from those days when there were so many fewer images around is so much more likely to be thought of as 'iconic' because almost all female muscle heads of the same generation had almost identical experiences of first seeing them?

Having said that though (he said, indicating the imminent arrival of another unsatisfying conclusion), as with Chris Zimmerman's image of Alina, there are, it seems to me anyway, images that, as the reader who started this whole sorry thought process off said 'could be iconic' being produced now.

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Cindy's glistening abs; Anne Freitas' freaky 'Christmas tree'

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Gabriela Bankuti by Zoltan Vegh of Fitness Exposure (now there's another female muscle photographer with an 'iconic style'...)

Sorry I haven't really got to the bottom of anything. It might have something to do with the goddess being photographed, the point she's at in her career or her conditioning. It might have something to do with the pose or lack of it, and/or what she's wearing (or not wearing). It might have something to do with the style of the photographer, or how old the image is, or when and where you first came across it...

Perhaps the only conclusion I can reach is that you know an iconic image when you see one! But even so, they are GREAT pictures, aren't they?!

Man, you're probably saying to yourself, this guy has far too much time on his hands! Well, in my defence, I was on holiday. But, yes, OK, I should probably go and get something to eat now.

Enjoy! And I'd love to hear what you think the 'iconic images' of female bodybuilding are. Comment box or 6ft1swell@gmail.com, as always.

Saturday, 12 October 2013

Freaky Week

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Researching the Ms O countdown posts a couple of weeks ago I came across these images of Anne Freitas, taken a full eight days before the contest.

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Then, in the week after Iris Kyle had been crowned (again, sigh), Tina Chandler (12th?!) posted these pictures of herself on her Facebook page, commenting that
It's always cool to see the changes our bodies go through during contest time.
Here are some shots of me 3 days after the show. Lol.


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The idea for Freaky Week was born.

It's about extreme muscularity, extreme vascularity, and some of the other bits that only muscle women bring to the party. It's about the kind of close-ups that would repulse most, but leave the likes of me (and I dare say you, dear reader) breathless.

It's also about us, the breathless ones, the ones who reply to Tina's Facebook post telling her how 'awesome','hot' or 'stunningly beautiful' she is in these shots. My non-femuscle head friends could probably understand what I find attractive about, say, Cindy Landolt or Larissa Reis, but definitely not why I can't keep my hands above the table while looking at these images of Anne's or Tina's thighs. They'd never get it.

They'd call me a freak.


From Sandra Tisdale's Twitter. Not 100% serious of course, but wow, what if she was? What if she actually went ahead and did it?

Freaky Week is also about this. Arrogance. The joy of muscle. The desire to shock and the pleasure of having the body - the 'abnormal', 'freaky' body - to do just that.

Get yer freak on!