I went to live and work in Italy in late August 1997.
Before I left London, I moved out of the flat I shared with a friend and moved my stuff into my Mum’s attic and garage, and had one of my female muscle purges – one of a few I’ve had over the years. Into discreet black bin bags went the magazines, and from there into the stinky communal bins.
I walked away feeling a little sad but a little liberated at the same time. I was going to live in a different country. It was a new start. Perhaps a new me? A new me who wouldn’t be compelled to periodically duck into newsagents and nervously purchase Women’s Physique World or Female Bodybuilding. A new me who wouldn’t be compelled to buy any issue of Flex, MuscleMag or Muscle & Fitness if I noticed Cory or Sharon or Lenda on the cover.
And for a while I was fine. I was too busy with the new job and with living in a new country to think about female muscle. I had to get to know my colleagues, my new surroundings, and enough of the language to decipher a menu and open a bank account. So much to do. There was simply no time for Cory or Sharon or Lenda.
One Saturday I woke to a glorious blue sky and decided to go for a wander. I’d find an English paper and have a leisurely breakfast in the autumn sunshine. I was, after all, in Italy. A cappuccino, some pasticcini, a catch up with what was happening in Blighty and a spot of watching the Bolognese would do very nicely as a start to the weekend.
But my Saturday morning didn’t quite pan out that way.
As I strolled along unfamiliar streets I spied a newsagents. It didn’t look very likely to have foreign press, but I headed for it nonetheless. It wasn’t really a shop, more the converted lower floor of a house, and the entrance was the old front door. And on the wall to the right of that door was a glass display case. There were a few different foreign magazines in there, but I only had eyes for one.
My first reaction was to keep walking, and I hurried on up the street, away from the paper shop and the glass display case. My heart was pounding, and I felt the familiar adrenaline rush: ‘The Madness’.
I could have kept going. I needn’t have gone back. I could have found a thousand things to take my mind off what I’d just seen. But ‘The Madness’ is powerful. And that day it told me there’d only been one copy in that case, and that if I didn’t buy it today I would regret it and come back tomorrow to find it already sold. It told me I had to go back and buy it now.
So back I went. And as I’d learned to do as a teenager, I spent a little time browsing the other mags and papers while I waited for an opportune moment. And then, with a little of my basic Italian and a little bit of pointing I communicated to the proprietor what I wanted. I guess I had expected him to produce a key and unlock the case and take it out, but instead he led me inside and from under the counter he produced another copy that was sealed inside a plastic cover, handing it over as if he were passing me a fragile holy relic. I accepted it with due reverence. He said a number I didn’t really understand and I gave him a really large note.
While he counted out the change, I realised I had another problem now the thing was actually in my possession. Did he expect me to walk out of the shop with the magazine on display under my arm? Didn’t Italian newsagents wrap them up in brown paper bags like they did in London?
I mimed putting the magazine in a bag. Another customer had come into the shop behind me. The proprietor noisily greeted them, speaking over my shoulder. For a moment I imagined the other customer was my new boss, or one of my colleagues.
Dry-mouthed, I stood and waited while the proprietor hunted around behind the counter. Thankfully, he found a little black plastic bag and my purchase was now being hidden away.
Grazie, I said.
Now, dear reader, do you think I went and enjoyed my leisurely breakfast in the autumn sunshine? Well, no. What I did was to turn and leave without looking at the other customer and go back out into the street and then home as fast as my legs would carry me.
And all the time my heart continued to pound, and I could think of nothing else but breaking open that plastic seal to reveal the visual feast of female muscle within.
I was enslaved. I’d never really been free.
But as I gazed upon the glorious women on those pages, I didn’t care.
And for today's clip, everyone's favourite 'blink and you missed her' FBB, Angela Cilione from the 1995 IFBB European Championships. This is, as far as I know, the one and only clip we have of this woman, which, unlike Angela, is not ideal.
Buon divertimento!
Tuesday, 23 April 2013
Monday, 22 April 2013
Forza e Bellezza: Barbie Muscolosa (Originale)
Others have claimed the title 'Muscle Barbie', most notably Joanna Thomas, Megan Avalon and Wendy Rider. Even Brigita Brezovac has recently been posting pictures of herself sporting 'Barbie Power' and 'Barbie Wants to Be Me' T-shirts. All these women are quite admirable in their own way and are perfectly entitled to call themselves whatever they want, but when I think of the 'Barbie doll' of female muscle, I think of the Italian former fitness competitor, Silvia Scaglione.
This is somewhat ironic because she has never referred to herself as a 'Muscle Barbie', nor has anyone else. As far as I know, Silvia thought of (and maybe still thinks of) herself as a fitness or 'bodyfitness' competitor. Female muscle brethren posting images and clips of Silvia describe her as a 'sex bomb' or 'bombshell'.
Watch the interview with Silvia below and see which words spring to your mind.
Like Barbie, there's quite a lot of Silvia that's not, let's say, entirely natural...
... but it's also that Silvia, for me, represents a certain kind of 'dream girl', a certain fantasy made flesh. And there's little doubt that Silvia wanted to be that fantasy, it was her decision to cultivate that look. And moreover, if some of the claims made about Silvia are to be believed, that fantasy was available for around $1,000 a time at one point.
Now, I'd never say that Silvia was one of my favourite bodybuilders, far from it. However, and with apologies to Orson Welles, watch Silvia in action below and imagine that I were to give you the requisite funds on condition that you spend them on Silvia, would you, would you really tell me to keep my money?
Buon divertimento!
Sunday, 21 April 2013
Forza e Bellezza: Due Artiste
One of the many indicators that attitudes to female bodybuilding and female bodybuilders are 'wrong' among most of the (male-dominated) federations has, in my opinion, been the demise of the routine. Once upon a time, they were so much more than just a race to get through as many poses as possible before the music was cut and the next competitor ushered onto (and then just as quickly off) the stage.
Now a minute long if you're lucky, competitors were once upon a time given a full three minutes each. Women like Diana Dennis, rarely hitting a traditional pose in the course of her routine, made them into performances, with all the artistic connotations of that word, and they were often set to more than one piece of music. There are still some true artists out there, but with so little time given to them in competition, they can only find the time and space to truly express themselves as guest posers.
It's a shame that this aspect of the female bodybuilding show has declined in importance so much. Competitors muscularity and proportions have already been judged by the time the evening show comes around. What's the point of a routine if it's just a quick run through the same poses we've already seen in previous rounds? And furthermore, if these federations are, as they claim to be, so concerned about competitors' femininity, why are they deliberately downsizing the one part of the contest where feminine expression was most possible?
So, as my little reminder of what once was, and what could be again, today, FMS presents two of our favourite proponents of the long-lost art of the contest routine.
Two Italians. Two Claudias. Two artists.
Claudia Profanter
Also known as...

Claudia's alter-egos, Claudia Perfonter and Claudia Profonter
Claudia was a two-time WABBA world champ by the time she first competed at the Miss Olympia in 1989, finishing 11th. Long before I ever saw Claudia in motion her eyes, lips and muscles had made a big impression on my teenage self. She was Italian, after all, and that, as far as I was concerned, definitely made her count as an 'exotic' beauty.

Claudia's European and World Champion physique
Many years later, long after Claudia's final competition in 1991, I finally saw one of her routines. And she was glorious! What impressed me about her then, and still does now, is that as a direct result of the time there once was for each routine, Claudia can take her time (if only contestants had that luxury now, we might see it more often) and Claudia really does take her time. Consequently, each pose becomes an event in itself. Each pose has a beginning, a middle and an end.

See what you think with two of Claudia's Miss O routines.
Firstly, 1990, where despite a small wardrobe malfunction, Claudia delivers a stunning routine. There's also the added bonus (especially for fans of the deeper female voice and/or Italian accents) of a little of Claudia speaking English afterwards. But I urge you to keep watching to the very end as the crowd make their disapproval of the judges' decision known when she is announced in 9th place.
Claudia was bigger (and darker) in 1991, and her routine was, I think, even better than the year before. This wasn't good enough to improve her position by much, though, and she finished 8th. We don't have the announcement of the placings in this clip, but there's further evidence of her popular appeal nonetheless. Keep watching to the end of the routine to hear what this crowd thought of Claudia and her routine.
If you're still hungry for Claudia, other routines can be found here and here
Claudia Montemaggi
Q: What happens when a stunningly beautiful woman from Italy with a background in ballet and gymnastics becomes a bodybuilder?
A: Claudia Montemaggi.
While Claudia Profanter was making her last appearance at the Olympia in 1991, the second of our two Claudias was making her Olympia debut. Claudia Montemaggi had won the European Amateur Championships the year before, and had top three finishes at the World Championships and World Games behind her as well.

Her routines are among the most memorable you will ever see. She's everything a female bodybuilder can be (and everything a bodybuilding federation could want a female bodybuilder to be). She's certainly muscular, but there's nothing masculine about her. She's graceful, athletic, powerful, charismatic and sexy.
Firstly, Claudia at the 1989 World Games. Eurosport's Simon Reid notes at the end of her performance that 'you can certainly hear who the crowd's favourite is', but during her routine, both Simon and his co-commentator have left you in no doubt she's their favourite too. She's described as 'very very elegant', and as being 'in her own class' before the routine has barely got under way. By the time she's in full flow, the audience cheering her every move, she's made Simon wonder about the judging criteria, asking his colleague 'Does sex appeal have anything to do with it?'
Three years later, here's Claudia at her second and last Olympia. And apparently she's lost none of her power to win over the crowd or make a commentator a little hot under the collar while watching her. The man with the mic on this occasion becomes so obviously turned-on by Claudia that his female colleague eventually feels she just has to remind him: 'Jim! You're married!'
And for a little more of that Claudia M appeal, go here
And if by now you're not convinced that female bodybuilders should be given more time for their routines again, that this could be one way of making the sport more attractive to the public...
If you're not convinced that at their best these routines are neither solely dance, gymnastics nor merely a collection of bodybuilding poses but a combination of all of these things, a performance style truly unique to the sport of female bodybuilding...
If you're not convinced by the two Claudias, the two Italian artists, at their peak...
Well... then you probably run a bodybuilding federation.
More from Italy tomorrow. Buon divertimento!
Now a minute long if you're lucky, competitors were once upon a time given a full three minutes each. Women like Diana Dennis, rarely hitting a traditional pose in the course of her routine, made them into performances, with all the artistic connotations of that word, and they were often set to more than one piece of music. There are still some true artists out there, but with so little time given to them in competition, they can only find the time and space to truly express themselves as guest posers.
It's a shame that this aspect of the female bodybuilding show has declined in importance so much. Competitors muscularity and proportions have already been judged by the time the evening show comes around. What's the point of a routine if it's just a quick run through the same poses we've already seen in previous rounds? And furthermore, if these federations are, as they claim to be, so concerned about competitors' femininity, why are they deliberately downsizing the one part of the contest where feminine expression was most possible?
So, as my little reminder of what once was, and what could be again, today, FMS presents two of our favourite proponents of the long-lost art of the contest routine.
Two Italians. Two Claudias. Two artists.
Claudia Profanter
Also known as...
Claudia's alter-egos, Claudia Perfonter and Claudia Profonter
Claudia was a two-time WABBA world champ by the time she first competed at the Miss Olympia in 1989, finishing 11th. Long before I ever saw Claudia in motion her eyes, lips and muscles had made a big impression on my teenage self. She was Italian, after all, and that, as far as I was concerned, definitely made her count as an 'exotic' beauty.
Claudia's European and World Champion physique
Many years later, long after Claudia's final competition in 1991, I finally saw one of her routines. And she was glorious! What impressed me about her then, and still does now, is that as a direct result of the time there once was for each routine, Claudia can take her time (if only contestants had that luxury now, we might see it more often) and Claudia really does take her time. Consequently, each pose becomes an event in itself. Each pose has a beginning, a middle and an end.
See what you think with two of Claudia's Miss O routines.
Firstly, 1990, where despite a small wardrobe malfunction, Claudia delivers a stunning routine. There's also the added bonus (especially for fans of the deeper female voice and/or Italian accents) of a little of Claudia speaking English afterwards. But I urge you to keep watching to the very end as the crowd make their disapproval of the judges' decision known when she is announced in 9th place.
Claudia was bigger (and darker) in 1991, and her routine was, I think, even better than the year before. This wasn't good enough to improve her position by much, though, and she finished 8th. We don't have the announcement of the placings in this clip, but there's further evidence of her popular appeal nonetheless. Keep watching to the end of the routine to hear what this crowd thought of Claudia and her routine.
If you're still hungry for Claudia, other routines can be found here and here
Claudia Montemaggi
Q: What happens when a stunningly beautiful woman from Italy with a background in ballet and gymnastics becomes a bodybuilder?
A: Claudia Montemaggi.
While Claudia Profanter was making her last appearance at the Olympia in 1991, the second of our two Claudias was making her Olympia debut. Claudia Montemaggi had won the European Amateur Championships the year before, and had top three finishes at the World Championships and World Games behind her as well.
Her routines are among the most memorable you will ever see. She's everything a female bodybuilder can be (and everything a bodybuilding federation could want a female bodybuilder to be). She's certainly muscular, but there's nothing masculine about her. She's graceful, athletic, powerful, charismatic and sexy.
Firstly, Claudia at the 1989 World Games. Eurosport's Simon Reid notes at the end of her performance that 'you can certainly hear who the crowd's favourite is', but during her routine, both Simon and his co-commentator have left you in no doubt she's their favourite too. She's described as 'very very elegant', and as being 'in her own class' before the routine has barely got under way. By the time she's in full flow, the audience cheering her every move, she's made Simon wonder about the judging criteria, asking his colleague 'Does sex appeal have anything to do with it?'
Three years later, here's Claudia at her second and last Olympia. And apparently she's lost none of her power to win over the crowd or make a commentator a little hot under the collar while watching her. The man with the mic on this occasion becomes so obviously turned-on by Claudia that his female colleague eventually feels she just has to remind him: 'Jim! You're married!'
And for a little more of that Claudia M appeal, go here
And if by now you're not convinced that female bodybuilders should be given more time for their routines again, that this could be one way of making the sport more attractive to the public...
If you're not convinced that at their best these routines are neither solely dance, gymnastics nor merely a collection of bodybuilding poses but a combination of all of these things, a performance style truly unique to the sport of female bodybuilding...
If you're not convinced by the two Claudias, the two Italian artists, at their peak...
Well... then you probably run a bodybuilding federation.
More from Italy tomorrow. Buon divertimento!
Saturday, 20 April 2013
Forza e Bellezza
It’s Italians all week this week, I’m sure you’ll be disappointed to hear! Though absolutely not in Italian – the few words below cost me a big headache and far too much time with my old Collins Italian dictionary and a little help with the correct endings from Google Translate.
Carla Cabau
It’s a place close to my heart as I lived there for a couple of years in my early 20s, and, as a young man in Italy, it would have been downright rude if I’d not made sure those years were memorable ones. And talking of memorable, does anyone else remember donnemuscolare.it, a great Italian female muscle website that seems, unfortunately, to no longer be with us?

Cristiana Cassoni and Ester Parisi
There are better-known attractions to the country, but Italy has produced more than its fair share of beautiful muscular women, as well as one of the great female muscle photographers, Carlo Puzzilli.
Rosita Triglia
Anyway, welcome to a week celebrating the Strength (Forza) and the Beauty (yes, you guessed it, Bellezza) of muscular Italian women, starting with a few donne muscolare and a little message to my amici Italiani.

Claudia Ferrarini
Sono sempre sorpreso dal fatto che anche se il mio blog è in inglese, i lettori di tutto il mondo lo visitano. Oltre a paesi di lingua inglese, un gran numero di lettori sono da Italia.
Sono particolarmente contento di questo perché ho buoni ricordi di Italia, dove ho lavorato come insegnante di inglese dal 1997 al 1999 e ho avuto la fortuna di vivere in due splendide città, prima a Bologna e poi a Trani in Puglia.

Giusy Caputo
Questa settimana, voglio dire un grande grazie ai miei lettori italiani e celebrare alcuni dei miei preferiti donne italiane muscolari.


Lorena Cozza, Rafaella Igneto and Silvia Sarti
Vorrei poter scrivere il blog tutto in italiano per questa settimana, ma ho già il mal di testa di scrivere queste poche parole. Spero che vi piaccia ‘Forza e Bellezza’ sul Female Muscle Slave. Grazie per aver letto!

Maria Fino
Buon divertimento!
Carla Cabau
It’s a place close to my heart as I lived there for a couple of years in my early 20s, and, as a young man in Italy, it would have been downright rude if I’d not made sure those years were memorable ones. And talking of memorable, does anyone else remember donnemuscolare.it, a great Italian female muscle website that seems, unfortunately, to no longer be with us?
Cristiana Cassoni and Ester Parisi
There are better-known attractions to the country, but Italy has produced more than its fair share of beautiful muscular women, as well as one of the great female muscle photographers, Carlo Puzzilli.
Rosita Triglia
Anyway, welcome to a week celebrating the Strength (Forza) and the Beauty (yes, you guessed it, Bellezza) of muscular Italian women, starting with a few donne muscolare and a little message to my amici Italiani.
Claudia Ferrarini
Sono sempre sorpreso dal fatto che anche se il mio blog è in inglese, i lettori di tutto il mondo lo visitano. Oltre a paesi di lingua inglese, un gran numero di lettori sono da Italia.
Sono particolarmente contento di questo perché ho buoni ricordi di Italia, dove ho lavorato come insegnante di inglese dal 1997 al 1999 e ho avuto la fortuna di vivere in due splendide città, prima a Bologna e poi a Trani in Puglia.
Giusy Caputo
Questa settimana, voglio dire un grande grazie ai miei lettori italiani e celebrare alcuni dei miei preferiti donne italiane muscolari.
Lorena Cozza, Rafaella Igneto and Silvia Sarti
Vorrei poter scrivere il blog tutto in italiano per questa settimana, ma ho già il mal di testa di scrivere queste poche parole. Spero che vi piaccia ‘Forza e Bellezza’ sul Female Muscle Slave. Grazie per aver letto!
Maria Fino
Buon divertimento!
Friday, 19 April 2013
Backstage of the Day
Earlier in the week, we heard about all the things a woman needs with her backstage, courtesy of Rebecca Slatt on Bodybuilding.com. Well, Rebecca also has a list of things not to bring, and, alas, one of those is us, 'Men'.
I know it is nice and comforting to have your boyfriend, husband, or trainer backstage; however, most women do not want to be changing suits and gluing them on in front of male strangers! Have some respect for your fellow competitors!
And there we were thinking it didn't get any better than boyfriend/husband/trainer of a competitive bodybuilder. How wrong we were. Damn!
So I guess if you are not the boyfriend, husband or trainer of a competitor, but you are a photographer, a 'helper' or an official, you get to see all the action...
You might get to take her home after the show, but you'll have to kiss her goodbye before all the action starts. So, who's this foxy fitness babe blowing little kiss for?
Oiling and adjusting. Can you believe some people actually volunteer for this?
Eva Lagerhorn Blom seems to be really really enjoying the pump, while Yaxeni's mind seems to be elsewhere. She seems preoccupied. Maybe she's watching Iris. Maybe she's thinking 'Damn you, Iris Kyle'...
Cheer up Yaxeni. You looked great at the Miss International this year. You looked great on stage and you looked great in the pump room. As did Debi, Angela, Olga, Jeannie, Kim, Brigita, Cathy, Elena and Tazzie. And, yes, so did Iris.
That's all from the backstage area for now.
Thursday, 18 April 2013
Backstage of the Day
Backstage with the Best
Geraldine Morgan

Looking as gorgeous as ever, Geraldine is surrounded by a serious female muscle meat fest. How do these photographers manage to keep such steady hands?
Colette Nelson and Cathy Le François

More gorgeous top-class female muscle. Beautiful Colette has certainly caught the eye of the photographer on the right in the background, and who can blame him for checking her out? And is wide-eyed Cathy feeling the rush of being admired, the thrill of being an object of desire? I certainly like to think so.
Brigita Brezovac

The backstage area has been variously described in accounts I've read as a cauldron of bitchy comments, as having a serious and tense atmmosphere, and also as being a place of great camaraderie and mutual support. What to believe? Maybe it depends on the show, maybe it depends on the level of competition. But with beautiful Brigita lighting up this backstage area with her smile, it's hard to believe it isn't the most wonderful place in the world.
Dayana Cadeau

What a loss it was to female bodybuilding when she decided to move down to Physique a couple of years ago. Now she looks like a shadow of her former self, so it's good to remember what a spectacular sight she was in her pomp. Glistening, hard muscle, wondrous eyes and lips that bring all sorts of impure thoughts into your head (well, into my head anyway). And so close you can almost smell the oil.
I think I need a lie-down.
Your backstage pass expires tomorrow.
Geraldine Morgan
Looking as gorgeous as ever, Geraldine is surrounded by a serious female muscle meat fest. How do these photographers manage to keep such steady hands?
Colette Nelson and Cathy Le François
More gorgeous top-class female muscle. Beautiful Colette has certainly caught the eye of the photographer on the right in the background, and who can blame him for checking her out? And is wide-eyed Cathy feeling the rush of being admired, the thrill of being an object of desire? I certainly like to think so.
Brigita Brezovac
The backstage area has been variously described in accounts I've read as a cauldron of bitchy comments, as having a serious and tense atmmosphere, and also as being a place of great camaraderie and mutual support. What to believe? Maybe it depends on the show, maybe it depends on the level of competition. But with beautiful Brigita lighting up this backstage area with her smile, it's hard to believe it isn't the most wonderful place in the world.
Dayana Cadeau
What a loss it was to female bodybuilding when she decided to move down to Physique a couple of years ago. Now she looks like a shadow of her former self, so it's good to remember what a spectacular sight she was in her pomp. Glistening, hard muscle, wondrous eyes and lips that bring all sorts of impure thoughts into your head (well, into my head anyway). And so close you can almost smell the oil.
I think I need a lie-down.
Your backstage pass expires tomorrow.
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